I’m a bit behind at the moment and haven’t played any vinyl for 4 weeks, not a single record has been on the turntable, I’ve been all digital for 4 weeks. The reason for this neglect is that, as a family, we adopted a shit and piss machine. Said machine is the subject of the picture below:
Don’t be fooled, he’s a menace. He calls himself Orwell and he has made it his mission to to disrupt my life in as many interesting and varied ways as possible. So not many records played, his fault. While he did arrive around Christmas time, please don’t worry, I’m a firm believer in ‘a dog is for Christmas not for life’.
He is why I have not had an opportunity to mention my vinyl subscription to ‘That Special Record’ since the beginning of December. I believe he knows this and finds it all rather amusing.
So, Decembers record from ‘That Special Record’ was ‘Atmosphere’ by Adelbert Von Deyen. As is quite common, I knew nothing about this, literally nothing, I didn’t know either he or the record existed. Bearing in mind that I do like good Tangerine Dream (I emphasise good because not all of it is) and have referred to them positively here several times in the past, this album is a logical choice to send to me, and I do rather like it.
|Atmosphere Part I|
|Atmosphere Part II|
|Bb||Spaces Of Infinity|
|Bd||Voices Of Infinity|
- Remixed At – Star Studio Hamburg
- Mastered At – Star Studio Hamburg
- Recorded At – Studio Norgaard
- Composed By, Performer [Played By], Recorded By, Arranged By, Mixed By, Producer, Liner Notes, Design, Keyboards, Synthesizer – Adelbert Von Deyen
- Drums – Wolfgang Zabba Lindner (tracks: A1, A2)
- Mixed By [Remixed], Mastered By – Lars Hidde
- Painting [Cover] – Urs Amann
- Recorded August 1979 to June 1980 at Studio Norgaard.
Remixed and mastered at Star-Studio, Hamburg.
Originally released 1980 on sky041
(P) + (C) 2016 bureau B under exclusive license from sky records
From what I’ve read this is regarded as Von Deyen’s best work by many, and yes, while it is very reminiscent of Tangerine Dream that does not mean it is a second rate copy. It stands up well in it’s own right although, personally, I do think it tails off a little and I prefer side A to Side B.
Here is a classic synths on the beach image of Adelbert which was a requirement back in the late 70’s/early 80’s to have any credibility at all.
I’m sure that there are people out there who will throw around terms like ‘Classic’ regarding this album, but I think you had to be there listening to it at the time to feel that way, the best I have to offer really is, I like it.