Blanket – How To Let Go

I found an album by Blanket in the reduced items bin at the record shop which I picked up for the following reasons, I quite liked the cover, it was cheap. I hadn’t heard of them before other than maybe a very vague memory of something in a playlist once, maybe, so it was pretty much a blind purchase but I think I got lucky.

I don’t know much about them and there isn’t all that much online either, but I did find this on their official Facebook page:

‘blanket’ started as a bedroom project from Bobby Pook and Simon Morgan. Later recruiting Steven Pellatt and Matthew Sheldon to form a live show. ‘Our Brief Encounters’ was released in 2017 to much critical acclaim, the band then toured that EP around the UK and mainland Europe.

“a five-track sweeping euphony that runs through a gamut of textures from ambient, textural soundscapes to ebullient, cloud-nine euphoria in 26 minutes” – The Independent

The band has always directed and filmed their own visuals, music videos and content with Vocalist Bobby running a video production company (Sumo Crucial Productions), ahead of their first full length release in early 2018 they made a short film documentary entitled ‘Fragments Of A Dream’ about their home town of Blackpool and a look at the differences between the old days and new of the town.
In May 2018 the band released ‘How To Let Go’ their first LP on Music For Nations / Sony Music UK.

It is essentially Post-Rock, if you want to dilute it that far, but I think they refer to themselves as Cinematic Rock, which is basically the same thing if you use Mogwai as a handy comparison. Completely unbeknown to me (for the second time) they will be playing at the BlueDot festival in July, on the Friday, which I will be at, so in all probability I will get to see them (The first one I didn’t know about is Sons of Kemet).

I’ve listened to the album a couple of times now and I do rather like the instrumentals, particularly the opening track, which is the title track, ‘How To Let Go’ starting with some nice piano and then getting really heavy rather quickly I’d say.

There’s one track, the name of which I forget now, which has what I think is a digitally altered vocal, which may or not be deliberate, but I’m not sure I liked it that much. I find a lot of digitally altered vocals disagree with the expectations of my ears and it therefore feels slightly uncomfortable. I just checked, it’s called ‘Worlds Collide’, which I listened to again and I really like it apart from the opening vocal.

Overall, a really good album I think and as it was reduced to £9 I’m pretty pleased with my purchase, which has by now had several listens and I’ve probably got my moneys worth already so any further plays are a bonus, and I do think it will get further plays.