I received a yellow vinyl version of Fongola by KoKoKo! a couple of weeks ago via my Rough Trade subscription and I didn’t get to play it more than once before I headed to Hong Kong and then the festival. It was coincidence, a useful one, that they were playing as to receive a new album and get to see the band shortly after is pretty cool.
A wind of change is blowing over the cultural landscape of Kinshasa.
An amazing alternative scene is thriving far for the occidental fantasies of “world music”…
It is explosive and vibrant. These sounds are emanating from the ghetto and downtown clubs of the Congolese capital in between the government-imposed power cuts. The artists actually bring something alive in the chaos of the 3rd biggest african city. They have strong new ideas with DIY constructed instruments and a powerful and unique drive. This movement is more expressive, lively, spontaneous and direct compared to most big cities’ scenes, like London, Berlin etc… It’s raw, free and open creatively more like NYC in the 70s and 80s or Berlin in the 90s if it has to be compared to artistic movements. It’s inventing everything from nothing and it’s happening now and you can experience it through the recordings, the videos and KOKOKO!‘s incredible live shows.
The above is from the BlueDot write up. So it was a lively and energetic performance and I really enjoyed it. I’m listening to the album again now and it does benefit from better production than the live show (which is to be expected) and I am recognising some of the tracks having heard them live.
It does actually take a lot for me to not like something, it has to be exceptionally bad in my view, but this isn’t. Though there is a little repetitivness, in the repetiton of the band name in many of the songs for example, it isn’t a problem at all and even though I have no idea what the subject matter of each song is, they all seem to have a sense of joy about them.